They have remixed tracks for such artists as Massive Attack, Akabu (Joey Negro), DJ Rolando (Jaguar), Steve Bug, John Thomas, Aril Brikha, Vince Watson, The Trampps, Rhythm is Rhythm, and Inner City. Mind" (on the 430 West sister label Direct Beat), as well as their own Octave One recordings: "Empower", "Nicolette", 'The X-files", "Meridian", “Love and Hate”, “The Greater Good”, and 'Siege". Including DJ Rolando's "Jaguar", Random Noise Generation's "Falling in Dub" (the other Burden brother moniker), Aux 88's "My A.U.X. Suppose this comes about because, in the case of the octave, one string is slightly more than twice as short as the other, then, Beeckman says. The brothers have released groundbreaking dance anthems on their own Detroit based record label, 430 West Records. The core unit of the band, made up of Lenny and Lawrence Burden (with rĮvolving members of Lynell, Lorne, and Lance Burden), have had the privilege of bringing their high energy live shows to many parts of the world, including Australia, Belgium, Denmark, France, Germany, Greece, Ireland, Italy, Japan, Netherlands, Portugal, Romania, Russia, Slovenia, Spain, Switzerland, UK, and the USA, among many other places.
We shot a portrait of a female facing away from the light, her face distorted by shadows, and then applied a high level of post-production and degradation, turning the visual into the shape of a soundwave formation to lend a sense of ambiguity.Arriving onto the electronic scene with "I Believe", featured on the monumental (10 Records) compilation "Techno 2: The Next Generation" (alongside Carl Craig, Marc Kinchen, and Jay Denham) in 1990, Octave One is the brainchild of the phenomenal native sons of Detroit, MI (USA), the Burden Brothers. We worked in the same theme on the single artwork, but incorporating the oppressiveness of the name ‘Just Don’t Speak’ into the art direction. The artwork was kept abstract, impactful and strong, with a focus on beautiful, intricate details and colours. We started by creating a visual for the EP focusing on scanned and distorted flowers a symbol of love literally altered by machine. We took this central theme of the album and looked into how technology and the way in which we exist and share information online creates layers and layers of replicated information, gradually distorted and degraded in the process of copying and sharing. We have now become voyeurs of voyeurs, spectators of spectators, capturing a brief moment of simulated joy through a window for the world to see. What was developed for connection now drives us further apart. Drop-in compatible with many Matlab scripts.
Octave one free#
Free software, runs on GNU/Linux, macOS, BSD, and Microsoft Windows. The backstory of the EP was that our world comes alive “through the looking glass”, but we have detached ourselves from human interaction with substitutes for life and living. Powerful mathematics-oriented syntax with built-in 2D/3D plotting and visualization tools. We were also commissioned to design vinyl and CD artwork for their EP ‘Love by Machine’, and the first single from this, ‘Just Don’t Speak’ (ft.
Staves mix with typographic forms, sheet music becomes deconstructed and subverted and broken pieces of musical symbols are used as flourishes alongside clean type.
Octave one plus#
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of. We also came up with a visual identity system loosely influenced by music in notation form and the symbols and shapes associated with this in an experimental and unexpected contemporary format. The brand values are communicated through the use of clean typography, minimal lines and a largely monochrome palette disrupted by occasional flashes of neon colour. Get all 15 Octave One releases available on Bandcamp and save 25. Therefore, the logotype contains a cleverly integrated symbol for ‘octave’ and a numerical ‘1’.
We wanted to reflect the juxtaposition of influences in their music - the deconstructed orchestral sounds mixing with techno, whilst also paying homage to the ingenuity of their technical live setup aptly named ‘The Mothership’. Octave One approached us for a rebrand, with the visual identity aiming to reaffirm their status as a standalone, live, electronic, headline act, whilst also having the ability to to connect with a younger demographic without alienating the existing audience. Resident Advisor recently named Octave One number 7 in their annual top 40 poll of the best live acts, commenting that the Burden brothers “play the cream of underground clubs as well as big-budget festivals, and their arsenal of classic Detroit techno strikes chords with both heads and casual fans”. Throughout their careers they have worked with such artists as Derrick May, Underground Resistance, Eddie Fowlkes, Juan Atkins, Anthony Shake.
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